Austrian choreographer and director Otto Pichler made his Royal Opera debut in the 2016/17 Season as choreographer for The Nose, directed by Barrie Kosky. He returns in the 2017/18 Season as choreographer for Carmen, also directed by Kosky.
Pichler has worked as a freelance choreographer since 2001 for directors including Nicolas Brieger, Günter Krämer, David Mouchtar-Samorai and Bernd Mottl. He has worked at opera houses including Paris Opéra (Der Ring des Nibelungen), Semperoper Dresden (Penthesilea, Die Fledermaus), Cologne Opera (War and Peace, Turandot), Hannover State Opera (Anatevka, My Fair Lady), Wiesbaden State Theatre (Orfeo ed Euridice), Schwetzingen SWR Festival (Ezio) and Salzburg Festival (Mitridate, re di Ponto). Previous credits with Kosky include Saul for Glyndebourne Festival, The Fiery Angel for Bavarian State Opera, Das Rheingold in Hannover, Carmen for Frankfurt Opera and Orpheus, Kiss Me, Kate, Ball im Savoy, La Belle Hélène and West Side Story (which he also co-directed) for Komische Oper Berlin.
Pichler’s credits as director include Hello Dolly, Jekyll and Hyde, Jesus Christ Superstar and Die Csárdásfürstin.
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Dancer Cameron Ball reveals what it's like performing in Barrie Kosky’s surreal Royal Opera production of Shostakovich’s The Nose.